Hey all, I found the entirety of Martin McDonagh's short film "Six Shooter" online. It won an Oscar, and led into the playwright's writing and direction of a full length film, "In Bruges" (which is great and I'm going to make you all watch it).
I'm posting this because, even though I don't want us mimicking theatrical devises and designs from his work, I think it is good that we look at "The Pillowman" as a mark within his general aesthetic as a playwright and, in this case, the choices he makes from the director's chair. What can we learn from this?
Six Shooter
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